Attend the Tale of Sweeney Todd

Attend the dark, witty and Tony Award-winning tale of love, murder and revenge. Sweeney Todd has become a bloody, worldwide success since being awarded eight Tonys (including Best Musical) for its Broadway premiere. Stephen Sondheim’s and Hugh Wheeler’s tasty, thrilling theatrical treat has simultaneously shocked, awed and delighted audiences across the world.

In this infamous tale, Sweeney Todd, an unjustly exiled barber, returns to London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett’s luck sharply shifts when Todd’s thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up… and the carnage has only just begun!

Sweet Tea Shakespeare is serving up a rich and saucy production of this flavorful and “full-bodied” Broadway classic at Fayetteville Pie Company. Expect notes of peppery revenge, despair, and cat to linger on your palate as you savor the experience of this show.

Thursday-Saturday, January 17-19 at 7pm; Sunday, January 20 at 6pm

Thursday-Saturday, January 24-26 at 7pm; Sunday, January 27 at 6pm

Thursday-Saturday, January 31-February 2 at 7pm; Sunday, February 3 at 6pm

Fayetteville Pie Company

253 Westwood Shopping Center

Parking is available onsite at Westwood Shopping Center.

Director: Medina Demeter

Musical Director: Heather Eddy

Musicians are led by pianist Katherine Anderson. The cast includes Jeremy Fiebig, Marie Lowe, Aaron Alderman, Jennifer Czechowski, Heather Eddy, Tyler Graeper, Joyce Borum, Allison Podlogar, Tohry Petty, Gabe Terry, and Jackie Rednour-Hallman.

Tickets are $45; the cost includes a meal and a soft drink; beer and wine will be available for purchase. Seating is strictly limited.

Tickets are now available for season ticket holders and Patreon pledgers; see website for details on purchasing season tickets or pledging on Patreon.

Tickets will be available to the general public in December.

Changes due to inclement weather will be announced on our website and Facebook page.

Savory and sweet pie meals and beverages will be available 1 hour prior to curtain.

Sweeney Todd is presented through special arrangement with Music Theatre International. All authorized performance materials are also supplied by MTI.

Behold 2018

Sweet Tea Shakespeare invites you to join us as we usher in the holiday season with Behold, our annual musical celebration of Christmas and the winter holiday season.

Behold—part Gospel, part Sweet Tea magic—is an evening of communion meant to warm your hearts and focus your minds on Advent and Christmas. Featuring Andrew Peterson’s folk cantata Behold the Lamb of God rounded out with songs both traditional and new, Behold tells Old and New Testament stories with simplicity and grace, examining the lines between belief and disbelief during this time of joy and reflection.

Thursday, Friday, Saturday, December 6-8 & 13-15, 2018

7pm, Holy Trinity Episcopal Church, 1601 Raeford Road

Pay What You Will

ADVANCE RESERVED SEATING for season ticket holders and season sponsors – Email tickets@sweetteashakespeare.com to claim your place.

Seasonal drinks will be available for purchase: Sweet Tea Shakespeare’s Scarlet Marvel – A True Spectacle Maker (brewed in collaboration with Hugger Mugger Brewery) and tea from Fayetteville’s local tea shop, Winterbloom. Cocktails and wine will also be available.

Outside food and drink are not permitted.

Changes due to inclement weather will be announced on our website and Facebook page.

Parking is available onsite at Holy Trinity Episcopal Church.

Behold Cast List:

Music Director: Jacob French

Musicians: Dean Dibling, Jacob French, Rob Brown, Katelyn Brummel, Gabe Terry, Nick Miller.

Singers: Hannah Duncan, Jessica Osnoe, Marie Lowe, Tyler Graeper, Jennifer Czechowski, Joyce Borum, Nathan Pearce, Evan Bridenstine, Linda Flynn, Jeremy Fiebig, Tohry Petty, Traycie Kuhn- Zapata, Taj Allen.

 

Behold: A Folk Christmas Cantata | 2018

RSVP HERE

Our celebration of the winter season—part Gospel, part Sweet Tea magic—is an evening of communion meant to warm your hearts and focus your minds on Advent and Christmas. Featuring Andrew Peterson’s folk cantata Behold the Lamb of God rounded out with songs both traditional and new, Behold tells Old and New Testament stories with simplicity and grace, examining the lines between belief and disbelief during this time of joy and reflection.

Thursday, Friday, Saturday, December 6-8 & 13-15, 2018
7pm, Holy Trinity Episcopal Church, 1601 Raeford Road
Pay What You Will
ADVANCE RESERVED SEATING for season ticket holders and season sponsors – Email tickets@sweetteashakespeare.com to claim your place.

Seasonal drinks will be available for purchase; Sweet Tea Shakespeare’s Scarlet Marvel – A True Spectacle Maker brewed in collaboration with Hugger Mugger Brewery and tea from Fayetteville local tea store, Winterbloom. Cocktails and wine will also be available.

Outside food and drink are not permitted.

Changes due to inclement weather will be announced on our website and Facebook page.

Parking is available onsite at Holy Trinity Episcopal Church.

RSVP HERE

Behold Cast List:
Music Director: Jacob French
Musicians: Dean Dibling, Jacob French, Rob Brown, Katelyn Brummel, Gabe Terry, Nick Miller.
Singers: Hannah Duncan, Jessica Osnoe, Marie Lowe, Tyler Graeper, Jennifer Czechowski, Joyce Borum, Nathan Pearce, Evan Bridenstine, Linda Flynn, Jeremy Fiebig, Tohry Petty, Traycie Kuhn- Zapata, Taj Allen.

About Sweet Tea Shakespeare:

MISSION STATEMENT
Sweet Tea Shakespeare celebrates the wonder of language, story, and stagecraft by engaging a diverse community with accessible, imaginative, magical theatre, inspired by Shakespeare and the early modern spirit, heightened by music, presence, familiarity, and fellowship.This season marks the fifth anniversary of Sweet Tea Shakespeare bringing great classic theater to Fayetteville and the surrounding communities.

About Sweet Tea Shakespeare:
Sweet Tea Shakespeare imagines, enacts, and embraces theatre in the spirit of Shakespeare and early modern performance as it seeks to employ the ingenuity and drive behind Shakespeare’s own company in all its endeavors.Sweet Tea Shakespeare imagines, enacts, and embraces theatre in the spirit of Shakespeare and early modern performance as it seeks to employ the ingenuity and drive behind Shakespeare’s own company in all its endeavors.

Our Stormy Season

By Jeremy Fiebig, Artistic Director

Though I certainly wasn’t tracking the proverbial weather at the time, we ended up with a stormy season in 2017-2018. As this season comes to a close, I wanted to take a few moments to reflect on the passing storms at Sweet Tea Shakespeare, our productions this year, and the stormy nature of the present moment on this mortal coil. One of my common phrases with those who work with me closely is that life imitates art, by which I mean that we tend to become, in reality, a version of what we produce onstage. If you’re playing Hamlet onstage, you’ve got to be a little careful of your own psyche, for instance. And if you’re playing Macbeth, you’ve got to keep your ambition in check. And so on. What I often forget as I parcel out this advice to others is to take it myself, and so I should’ve known that a season in which we scheduled King Lear, LITSummer, Songs for a New World, Jane Eyre, The Tempest, and Pericles was going to be a stormy one, even if magical.

As a couple handfuls of STS company members gathered daily to make the trek from Methodist University to William Peace University to rehearse King Lear in partnership with Honest Pint Theatre Company, I should have predicted the stormy, divisive way that life would imitate art. The Monday or Tuesday after we started rehearsals in August, I was called in to my department chair’s office for a meeting about STS. In that conversation, my chair and I discerned that it was time for STS to divide itself away from its functioning home since its founding in 2012, Fayetteville State University, just as Lear divides his kingdom among his daughters. If you can imagine the existentially thunderous reality of trying to figure out how to make that happen while directing a monolithic play and traveling several hundred miles a week, you may have a sense of what the core folks in the company were dealing with at that time. King Lear is a play where all the wrong (and a few of the right) people die at the end, and the realization of our own mortality at Sweet Tea Shakespeare resuscitated us at the very last moment, bringing our common life and the importance of what we do into sharp focus. Our heart would continue to beat.

Between that August meeting and mid-October, we worked on a magically fun production of LITSummer, the latest installment of our drunken Shakespeare series, this one based on A Midsummer Night’s Dream. Although that play doesn’t have quite the storm of Lear, it does have a certain element of capricious mischief, an inherent mistrust among and between its characters–lovers and fairies, royals and mechanicals. And it’s a play where a lot goes wrong before it begins to go right. In the life-imitates-art department, imagine me a panicked Peter Quince huddled in the corner hoping things go okay. We filed to incorporate Sweet Tea Shakespeare as a non-profit 501(c)3 company right in the thick of that, and received our approval from the state on November 1st and from the IRS in early January.

           

Since January, we’ve produced four shows, all with storms in them. Songs for a New World is about storms external and internal, from the deck of a Spanish Sailing Ship to the rainy day of a soldier’s funeral. Jane Eyre had both the literal storm crashing atop Rochester’s proposal  and the stormy journey Jane herself was on. In both Pericles and The Tempest, storms are the definition of travail, anguish, and suffering, separating this person from that, ending worlds of a sort. And since January, in the “real world” of Sweet Tea Shakespeare and in the real world of planet earth, things have been stormy as well. Life has imitated art. And though I won’t go into all the details here, I’m sure you can imagine how the dark clouds have taken shape, crackling with lightning and buzzing with incessant showers.

And yet here we are, closing out one kind of hurricane season here at STS, washed ashore after a rocky ride or two, looking ahead to a new sort of world, including a very ambitious 2018-2019 season. We don’t come ashore intact without the diligent work of some important fairies and wizards, of course, and so I want to take a moment to thank the company members, actors, musicians, and craftspeople of Sweet Tea Shakespeare for working their magic during this year even as we’ve faced some strong headwinds now and again. Seven folks deserve very high praise indeed, both for their work as artists and as company leaders. Marie Lowe, Jessica Osnoe, Jacob French, Tohry Petty, Jen Czechowski, Medina Demeter, and Jen Pommerenke serve as board members for STS and what we call “Masters”–folks who lead company operations. We thank tremendously our artists who’ve traveled from far away, including when far away means almost daily commutes from Raleigh or Laurinburg or Virginia and points beyond (thanks Cerina, Alexcia, Tyler, Mary Lynn, Aaron, Hannah, Alex, Arlie, Will, Jessica Schiermeister, Ana, Austin, and anyone else I might’ve forgotten). Thanks to our very magical newcomers, Sana (who is not exactly a newcomer), and Dean and Dena and kiddos, who have, in a very short time, transformed some key elements of our company in needed ways. Thanks to Laura Parker, Barry Jaked, Steve Wood, Traycie Zapata, Christine Orozco, Taj Allen, Joyce Borum, and the many capable hands as designers, builders, and doers who have helped us step up our production game with a new portable playhouse, a huge stock of costumes, new paint, a new sound system, new lighting booms and fixtures, and some killer production elements for our last two productions in particular. Thanks to our venues and their staffs, especially David Reid at the Museum of the Cape Fear and Jeff Thornberg at Holy Trinity Episcopal Church, as well as St. Michael’s Catholic Church, Paddy’s, Cape Fear Botanical Garden, Wade Newhouse at William Peace University, Fainting Goat Brewing, and everywhere else I’m forgetting. Thanks to our incredible audiences, especially our Patrons, Sponsors, and season ticket holders who have literally kept the lights on and the actors paid more times this year than I can count. Thanks to Jen Pomm and our new young company, Green Tea, and their parents, who are testing out the Shakespeare ropes even now before sailing on to their first production later this year.

Without all these folks–and many more whose names aren’t listed here because I am a forgetful guy (thanks, Lear)–we simply wouldn’t have weathered the storm of this season in the way we have. That we’re intact at all is a testament to the STS community. I am–we are–exceedingly grateful to be here.

And here’s the thing: the storms are going to rage on (have you read The Comedy of Errors or Sweeney Todd or Richard III? Yikes.), but our ship is tight and yare and we’re preparing as best we can for what’s on and beyond the horizon. And that reminds me of one more thing: we’re new at this. Tremendously new. We aren’t meteorologists or sailors or whatever the stormy-shipwreck metaphor most requires. We are, for instance, still figuring out how to sail the budget seas on ticket sales and a smattering of sponsorships and monthly pledges. And we’re learning how to season our company–working on everything from managing cash flow to forming contracts to rigging up policies and more. What we’ve found on the journey so far is that we need more members of the crew. Yes, artists, but also doers and lawyers and money people and board members and fundraisers and sponsors and Patrons and ticket buyers and sales reps and property owners and and and. If we’re not careful, those needs can begin to sound like a mighty thunderous front rolling through every now and again, lightning striking ground in the form of this crisis here and that fire to put out there. It can be loud and overwhelming at times–and the needs can be great–but we are hoping you’ll come on board with us.

And we’ll weather whatever comes next.

 

 

 

Finding the Love

By Hannah Marks

“We’re going to audition for a drunk Shakespeare show. Do you want to come?”

That was my first introduction to Sweet Tea Shakespeare. After moving in to our new apartment in Raleigh, my roommates said that they were making the drive out to Fayetteville to audition for a company that was doing a “lit” version of Romeo and Juliet.

“Sounds like fun,”  I said, and went right back to drinking my well-deserved margarita. A few days later, when they told me that they were cast as the titular characters, I don’t think any of us knew just how much this “drunk Shakespeare thing” would change us–as performers, and as people.

Romeo and JuliLit was the first thing I’d ever seen from STS. I was blown away by the way the  modern music and jokes fit in with Shakespeare’s text. Everyone knew what they were saying and why they were saying. They sounded like….real people, not actors standing on stage holding a skull lamenting about poor Yorick. Now, I’m a musical theatre girl. I grew up singing and being in chorus classes, but I never started doing theatre seriously until my junior year of high school. My junior year of college, I was in a production of Twelfth Night. I had absolutely no idea what I was doing, and I thought I was the worst person in the show. In fact, I almost didn’t audition for it because I always thought that Shakespeare was for the most elite actors, and I just didn’t fit into that part. But at STS, they showed me that Shakespeare can be fun and real. I was obsessed.

The moment that I clearly remember needing to be a part of a Sweet Tea show was in July of 2017. My roommate Tyler was the male lead in Cymbeline, and so our other roommate Mary Lynn and I drove up to see one Shakespeare’s lesser-known shows (at least to us). Mary Lynn and Tyler have been in several STS shows, and they’re fan favorites–not that I’m biased or anything. So we arrived at the Poe House and I was immediately breathless. This backyard was transformed into a wonderland. Fairy lights illuminated all different kinds and colors of fabrics, preshow was just starting, and the sweet tea was flowing. People were sitting on blankets or in lawn chairs, and the Fayetteville Animal Protection Society was there with animals you could adopt . Tyler ended up adopting a little chihuahua named Queso, who made his stage debut that night. It was the perfect scene.  Even after we had to move inside due to a thunderstorm, I was still in awe. Cymbeline was one of the most beautiful shows I had ever seen, and it still remains my favorite STS show. I had been hounded to audition by several people, but the timing never worked out. When the opportunity to be in Pericles came, I grabbed it. This has been unlike any other experience I’ve had. We joke around in rehearsals, we make up things when we don’t know what to do, and we are over the top, as most theatre people are. But when you strip away the sets, and the music, and the costumes, only two things remain: you have to find the honesty in the moments. You have to find the love. Throughout Pericles, and my entire interaction with STS, I’ve been welcomed into this circle of artists and fallen in love again, with these people, with Shakespeare, with theatre. And that’s been the greatest gift I could ask for.

Fall in love with Pericles and The Tempest! Tickets available at http://sweetteashakespeare.com/tickets.

Photo Credit: Thistle & Sun Photography

Back with the Bard

By Nathan Pearce 

In the summer of 2016, I made the decision to take a break from theatre. Many reasons went into this decision, the most important being that I was about to marry my lovely wife Elizabeth. During this two-year hiatus, I yearned to be back on the stage. So when I saw that Sweet Tea was having their summer auditions last year, I jumped at the chance.

During our first read-through for Pericles, it was like I had never left. The community I had fallen in love with was back. And what makes this show even better is that I get to work with people that I had only seen on stage. This being Sweet Tea’s biggest summer season yet intensifies the sense of community, which is great.  Everyone gets along well and supports each other.

 Another thing I love about being back with Sweet Tea is that it is one of the few theatres where you get to play multiple characters. In Pericles, I am playing four completely different characters. This allows for a lot change of voice and body positions. I’m a big fan of actors who can change their character with the smallest details, so this makes me extremely excited for the audience to see these characters come to life on stage.

 While I don’t regret the decision I made two years ago at all, I am extremely glad to be back in this magical place called theatre with this extremely talented company called Sweet Tea Shakespeare.

Get tickets for Pericles and The Tempest at http://sweetteashakespeare.com/tickets.

Photo Credit: Thistle & Sun Photography